Best Mic for Bass Amp in 2022
Our experts have put together an amazing list of the best mic for bass amp. You’ll love them! Get ready to rock!
Many musicians have an obsession for the best mic for bass amp.
This obsession is usually because of the quality that a good microphone for bass amp can produce when it is paired with a high quality bass amplifier. So what is the best microphone for bass amp? That depends on you and your preferences.
If you are into playing bass guitar then you know the importance of a good mic. A good mic can help you produce a great sound while on stage. The last thing you want is a mic that will not do justice to your bass. Here are a few great options that you can look into.
8 Best Mic for Bass Amp in 2022: At a Glance
Shure has released a terrific piece of mic using excellent specifications and prices! A great bargain. It is specifically tailored for bass drums. It’s also easy to set up with a built-in locking stand adapter.
Shure has long been considered a well known and respected company for dynamic microphones. Their SM57 and SM58’s have been staples of the recording and live sound industries for years.
However, it is a dynamic microphone that is perfect for recording acoustic bass. It is a Cardioid condenser microphone that is designed to be used on acoustic instruments and the human voice.
This microphone is a great choice for recording bass amps. It is best used with a shotgun mic, but it can also be used with a Cardioid mic or a dynamic mic.
Key Features of Shure Beta 52A
- Wide frequency response, exceptional bass response and smooth sound
- Extreme cardioid pattern provides industry-leading off-axis rejection
- Switchable bass rolloff • Switchable attenuation pad (switch on cord)
The AKG C 414 is a dynamic microphone. It is a cardioid microphone that is designed for use on acoustic instruments and the human voice. This microphone is a great choice for bass amps. It is best used with a shotgun mic, but it can also be used with a cardioid mic or a dynamic mic.
Key Features of AKG C 414
- World-renowned AKG sound quality in a portable, affordable package
- Professional-grade sound. Compact and portable
- Large-diaphragm cardioid condenser microphone with a smooth frequency response, warm audio character and wide dynamic range
- Perfect as a vocal microphone or as an instrument microphone for drums, brass and woodwinds.
Sennheiser has been making microphones for over a century, and the E902 is the latest entry-level offering in their highly respected line of dynamic microphones. The E902 is a bit more on the inexpensive side, but it does come with a pretty sweet feature of ability to switch between cardioid and figure-8 polar patterns.
This is very helpful when you’re not sure where your bass amp mic is going to be placed, and you want to capture your source without losing any of the low-end attack. The E902 captures the bass drum frequencies with a strong boost, but it also preserves a lot of the low end out of the bass amp.
Even though it’s not the most expensive option on the list, the Sennheiser E902 offers some features that are unique to the line. The E902 has a pretty decent frequency response, with a flat response from about 60Hz to approximately 10kHz.
Key Features of Sennheiser e902
- XLR connector
- Dynamic microphone work on transducer principle
- Frequency response is 20 – 18000 Hz
- 440 g weight
- Cardioid Pick-up pattern
The Beyerdynamic M88.2 is a favourite amongst guitarists who like to record their basses through a DI, or for those who just want the best sound when playing through their amp. The microphone is a dynamic, cardioid polar patterned mic.
The M88.2 offers a frequency response of 30 Hz to 20 kHz, and has an SPL handling of up to 140dB, which is pretty high. The mic also has a wide range of options for mic’ing up the bass. You can use the mic’s inbuilt shock mount, or a stand mount.
The Beyerdynamic M88.2’s big advantage is its durability.,This highly-rated mic is used on stage and in studios around the world, and is pretty well-regarded. Regularly used for both vocal recordings and for kick drums, the M88 makes for a decent bass amp mic too.
This mic has incredibly high-gain before feedback, offering a clear, intelligible sound palette with high-directional sensitivity.
Key Features of the Beyerdynamic M88
- German made
- High SPL handling
- Looks dope in all black
- All-purpose instrument mic
- Hypercardioid polar pattern
AKG’s D112 is regularly put up against the Shure BETA 52a for kick drum and bass amp mic duties. The D112 loses out in the looks department though. Yes, I have a crush on the BETA 52a, deal with it.
The D112’s weird green plastic front basket and punctured rear head makes for a distinctive look, as well as a distinctive sound. It does pretty much everything you need from a bass amp mic…
It has high SPL handling, wide frequency response, and is seriously durable. It has an integrated stand mount as well, which is adjustable, though in my experience it’s kind of a pain in the ass to get right.
Key Features of the AKG D112
- Dynamic Microphone
- Cardioid Polar Pattern
- Frequency Response: 20 – 17k Hz Commonly used on stage and in studio.
- Low noise thanks to integrated hum compensation coil
- A rugged and compact diaphragm condenser with a cardioid polar pattern.
Sennheiser MD 421 – II is ideal microphone for recording bass amp. With added features of five position bass roll-off switch give it a lead on other instrumental microphone.
Its rugged design gives you durable performance in studio or on stage. Cardioid pattern makes it best choice for instrumental recording while minimizing background noise and ambiance.
I have’been never had tested it yet, but I expect MD 421 – II is excellent microphone for recording bass amp.
Key Features of the Sennheiser MD 421-II Cardioid Dynamic Instrument Microphone
- Dynamic Cardioid Microphone
- Five position bass roll-off switch
- Effective feedback rejection
- Clear sound reproduction
- Easy handling due to pronounced directivity
- Rugged professional microphone
- Dust and humidity resistant
A lot of people love the RE20.1, and I can see why. It’s small, it’s light, it’s pretty much indestructible and it’s a great kick drum mic. It’s built like a tank. It has an industry standard cardioid polar pattern, which is perfect for capturing vocals. It’s pretty much the same as the Shure SM57, if you’ve been to a vocal recording session, you know is a pretty good vocal mic.
The sound is pretty good too, though you might want to take it on the road with you. It’s a bit on the quiet side, for one, but it’s balanced well with the low end, which is pretty much mandatory for a kick drum mic.
Key Features of Electro-Voice RE20
- Deliver studio condenser response and require no powering
- Large diaphragm with cardioid pickup pattern.
- Steel case and hum-bucking coil provide exceptional magnetic shielding
- Frequency response is 45 Hz-18 kHz
- 150 ohms output impedance
- Stand clamp included
- Perfect for acoustic guitars, bass amp, kick drums and other instrumental recording.
The D6 is yet another quality dynamic mic from the AUDIX range. This is a Cardioid mic, so will pick up all frequencies but not sound like a conventional Cardioid.
It is a condenser mic which is well suited to instruments such as bass guitar and drums. The D6 is very versatile. It is often used for electric guitar, and is also great for getting great recordings of drums.
This is a great choice if you’re looking to invest in a mic that you can use for a variety of different instruments. The fact that it is condenser makes it a great choice for electric/acoustic guitars and drums.
One of the best features of the AUDIX mics is that they are well reviewed by a lot of customers.,The D6 is a great choice if you’re looking for a mic that will get the job done for a variety of instruments.
Key Features of Audix D6
- Dynamic microphone
- Cardiod polar pattern
- Frequency response is 30Hz-15kHz
- 200 ohms output impedance: 200 ohms
- Black color
- XLR Connector
Honorable Mention
The E602 II is a fantastic bass amp mic. It offers a cardioid polar pattern which is super-useable for both vocals and instruments in a live situation. The E602 II is a dynamic microphone, so it will pick up both your vocals and your bass guitars. It’s good for both. It’s a versatile mic.
Little brother to the e902, this the second generation in the e602 and it does a pretty decent job on bass recording duties.
Capable of handling more than 155dB SPL, sound pressure is no big deal for this smart-looking mic. They’re also pretty good on rack toms, so consider getting a couple of them if you plan on recording drums as well!
Key Features of Sennheiser e602 II
- Large-diaphragm Dynamic Mic
- German made
- Cardioid polar pattern
- 10-year warranty
- Integrated standard mount
- Available in several colors
- High SPL handling
Conclusion
We have selected the best mics for bass amp in 2022 based on their sound quality, price, and availability. Our experts have put together an amazing list of the best mics for bass amp. You’ll love them! Get ready to rock!
The Electro-Voice RE-20 and Beyerdynamic M88 TG are both great choices for recording bass amps. The RE-20 has a more focused frequency response that is great for recording close to the amp or cabinet. The Beyerdynamic M88 TG has a broader frequency response that is great for recording wide-spectrum sounds.
The Sennheiser MD 421-II is a good choice for recording bass amps when the mic is in close proximity to the cabinet. The microphone has a boosted midrange for better voice separation and a low roll-off to help eliminate the kick drum and snare. The microphone’s built-in XLR connector can be used with any XLR-input audio interface or mixer.
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